We run courses and classes in creative glass for people at all levels of skills and ability. Classes have a limited number of participants to ensure a high quality of tuition and experience.
For professional, experienced practicing artists who want to work with some of the finest glass ‘Masters’ and notable artists who work in other media to explore new developments and possible new directions for their own work. Previous Masters have included Deborah Cocks, Eeva Kasper, Richard Slee, Paul Marioni, Susan Stinsmuehlen-Amend, Angela Jarman, Michael Rogers, Cappy Thompson, Tessa Clegg, Steve Klein.
See below Class information for details on how to apply.
CLASS 1: Petr Stanicky
A Reflection of the Unique Genius Loci of the Space. Sculpture, Objects or Installation.
27th August – 4th September. Cost: £895 (9 day class – includes course fees, materials and evening meals)
“The idea is to let the unique qualities of North Lands’ surroundings influence the art works. Be open to nature, face new qualities of light, scale and let all of this influence artworks.
This will be a unique opportunity to access the hotshop in the middle of a remote landscape and to work with all kinds of techniques which hot glass offers. It will be an ideal situation to create, discover and open new paths in an artist’s work.”
Hot glass techniques will be experimental and developed according to the concepts of the class participants. Work will be researched in different media such as drawing, photography and model making. Some experience in hot glass techniques is beneficial. There will be a gaffer to realise ideas into glass for those with limited hot glass experience.
About Petr Stanicky:
The breadth of Petr Stanicky’s work is reflected in his rich and diverse studies in the Czech Republic and the USA. At the AAAD in Prague he studied sculpture, specialising in stone carving and glass in architecture; he graduated in 2000. By 2007 he had been teaching sculpture at the arts academy for 4 years when he decided to immerse himself in a study of the figure, joining a masters program at the New York Arts Academy. From there he gained experience working on sculptural projects in Jeff Koons’ studio. On returning to the Czech Republic he chose to lead a new masters program in glass at Tomas Bata University in Zlín. He describes the ethos: ‘Working in the studio makes students perceive the unity and the close relationship between human beings and nature. It helps them perceive and understand the substance, the colour and the space. It helps students exceed the limits of their perception beyond the entity designed and delimit it within architecture..’
Stanicky is an artist working from a wide material knowledge and extensive skill base. He allows himself the freedom to move between representational and abstract art, traditional and non traditional materials but always with academic rigor. His work has been widely exhibited in Europe and debuts in the UK this May at the National Glass Centre, Sunderland.
CLASS 2: Helen Maurer & Angela Moore
The Lie of the Land
30th August to 4th September. Cost: £650 (6 day class – includes course fees, materials and evening meals)
“Over the course of six days we’ll be looking at the relationship between images and objects, setting up a series of exercises using glass, light and the landscape to generate material. Expect to be projecting into fog, distorting the landscape though glass and working with the elements. The emphasis will be on using low-fi production methods and experimentation.
Participants will need to bring their own camera and to both document experiments and produce images as the final outcome. There’ll be opportunities to collaborate within the group, to share skills and generate new ideas. In our experience this has been surprising, taking us to unknown territories and now to the Highlands and beyond!”
This class is site specific open to glassmakers and artists of all media.
About Helen Maurer:
Helen Maurer’s early studies were in Visual and Performing Arts at Brighton University. Later she studied glass at Central St Martins School of Art and the Royal College of Art. She is represented by Danielle Arnaud gallery London and also works on site specific commissions. She collaborates with other artists, choreographers and musicians. Maurer was awarded the Jerwood Prize for Glass in 2003 for her unique approach to glass. “Where possible I like reconfiguring existing things, finding participants for the scenes that I create, almost like auditioning actors for parts, objects are brought in and out of my constructions. Ideas come from experimenting with materials, for example projecting light through objects to create shadows.” Her work often starts with a tableau of varying scale which is projected into static or moving image, defining the space it is placed in. Recently her work has been developed by filming the optical effects discovered during its construction and projecting this as part of the work.
About Angela Moore:
Angela Moore is a photographer known for her high profile campaign photography connected to the art and design world. Her work is used in magazines worldwide and includes highly innovative projects for Frieze Art Fair, Vitra, Kvadrat, SCP, Tord Boontje, the Design Museum and Modus. Her sensitive understanding of the contemporary image and culture has led to the current demand for her work. She has photographed cookbooks for Heston Blumenthal, Canteen and Nigel Slater and extensively for Swarovski’s Crystallized publication. Angela’s work has been exhibited in Thessaloniki Museum of Photography and Monat der Fotografie, Vienna. She studied design at Goldsmiths College of Art in London, the city in which she still lives and works.
Helen and Angela first worked together on a commission for the Pump House Gallery where they started their ‘Bad Magic’ project. They went on to create work for the Swarovski magazine, Crystallized, which involved visually interpreting the ‘Trends’ pages. They share an interest for illusory and distorted images, a quirky low-fi aesthetic and an interest in the effects of light and projection.
CLASS 3: Kristiina Uslar
Influences, Layers and Columns.
9th September- 17th September. Cost: £895 (9 day class – includes course fees, materials and evening meals)
Estonian artist Kristiina Uslar will lead a class focused on pâte de verre: “In my class I would like to teach how to make multilayered glass objects using the pâte de verre technique and to introduce different layer connections using columns. The result should be a combination of fragility, airiness and strength. The soul of the object should be influenced by its surrounding environment, individuals and emotions. Our surroundings shape the person inside us.
Glass – such a versatile and contradictory material – large and light, small and heavy, strong and frail, transparent and opaque. For me it is the most suitable mediator between wonderland and reality.” Exploring this, participants will make their own works in pâte de verre. They will take inspiration from the area, its cultured scenery and nature. For this class a basic understanding of mould making and kiln working in glass is necessary.
About Kristiina Uslar
Kristiina graduated from the Estonia Academy of Art in 2003 where she later taught in the glass department. She completed an MA in 2007 in which she focused on the construction of Roman cage cups, this open net structure is evident in her own works. Using pâte de verre she takes a historical process with qualities she describes as tender and fragile, and subverts them by making bold and decisive forms with an industrial reference; organic and mechanical at the same time.
“My intention and goal was not to restore the technique but to study and develop it toward artwork and through this to gradually unfold the variety of ways in which the technique can be innovated.” The unexpected transformation of material also takes us from the historical to the contemporary. Kristiina Uslar is a glass artist who, by reinventing a process, has brought new life to it. She describes glass as “the most suitable mediator between wonderland and reality.”
She lives and works in Estonia and has been exhibiting her work in Europe, the USA and Japan since 2001. Her work has been acknowledged in various glass awards and is held in many major collections. This summer she will be exhibiting her work at the Coburg Glasprize in Germany.
CLASS 4: Richard William Wheater
Are You Experienced?
9th September – 17th September. Cost: £895 (9 day class – includes course fees, materials and evening meals)
“A Jimi Hendrix Album title? A prospective employer’s question?
A game changing challenge! Set by an artist to participants of a 9 day workshop.
Expect what was stationary to be on wheels. Expect the four walls of a studio to be cut like an umbilical cord. Expect adventures in hot glass and neon. Expect to fail, many times.”
This class will be a unique opportunity to work with Richard William Wheater to combine furnace glass and neon. Participants will work in the studio and in outdoor locations. Some experience in hot glass techniques is beneficial.
About Richard William Wheater:
Richard William Wheater gained notoriety for an ambitious project in 2008 titled ‘Them and Us’. Touring the UK with his mobile furnace he hot sculpted indigenous glass birds in their natural habitat, he then released them into the air in a ritualistic act, which both freed and destroyed them. An artist/performer committed to the act of making and the science of materials, his work is also ephemeral transitory art, involving place and people. It is always beautifully recorded. In recent years an in-depth study of neon has involved equally image and media aware events such as ‘12 months of neon love’, in which a highly visible neon bill board announced declarations of love, lines from popular songs which changed once a month. Other neon works made and put into action with groups of people aim to unite people with landscape as did his recent ‘Land to Sea’ project. Installations have been both site specific and gallery based. Wheater might start with making an object but it extends further.
As a communicator, designer and artist he wants clarity and accessibility in the medium. He is highly qualified in glass making, art and teaching. He studied at Edinburgh College of Art, Alfred University USA and the University of Sunderland. He lives in Wakefield, UK.
HOW TO APPLY
Master Class places are juried and places given by our selection panel.
First send in your booking form. Click here to send your booking form
We will then contact you and ask you to send the following:
- A brief CV outlining your previous experience.
- A short statement (max 1 page A4) outlining the benefit of the Class to your artistic practice.
- 10 images of recent work, please include title, date made, dimensions and techniques used.
For more information email Grace at email@example.com or call 01593 721 229
4 – 13 March 2014
Cost: £850 (includes course fees, materials and evening meals)
“There is rarely one visual experience of an image but rather a series of encounters that shift depending on how and from where the image is viewed…”
Carrie Iverson and Jeremy Scidmore will use the techniques of printing and kiln formed glass to investigate these shifting perspectives creating images that do not describe a single viewpoint but are multi-layered descriptions of an object or idea.
Using a scientific model of research and focused experimentation, students will learn strategies to develop new work. We will move through a series of exercises to collect, cull, produce, edit and then
refine material. Processes include drawing, photography, printmaking on glass, and open-faced kiln casting of textures and found objects.
Field trips around Lybster will provide inspiration while new assignments, exercises and discussions each day will build on and refine previous skills. In addition to learning printmaking for glass and glass kiln casting, students will develop research practices and strategies for refinement that can be applied to any art form.
This class is appropriate for all levels.
For application details and to book a place email Grace at firstname.lastname@example.org or call 01593 721 229
About the Artists:
Carrie Iverson received her BA from Yale University and her MFA from the School of the Art Institute of Chicago. She has exhibited nationally and internationally, including at the Glasmuseum Hentrich in Düsseldorf, Germany, Art Sante Fe, the Ukrainian Institute of Modern Art in Chicago, and the Chicago Cultural Center. Her work is in the collections of the Art Institute of Chicago, the Museum of Modern Art (NY), and the Museum of Contemporary Art (Chicago). She has taught at Bullseye Glass Company (Oregon and California), GlassForum (Norway), Creative Glass (Switzerland and UK), as well as private studios throughout the US.
Jeremy Scidmore earned a BFA at the School of the Art Institute of Chicago and later returned to SAIC in order to study Arts Administration and Policy. While in Chicago, he owned and managed a public glass-arts resource center, collaborated with youth arts educators, completed private and public sculptural and architectural art commissions, and taught glassblowing and kilnforming. Scidmore joined Bullseye Glass Company in 2011 and is now the Studio Coordinator and Instructor for Bullseye Resource Center Bay Area.
Glass Skills Classes
For students and emerging artists who want to develop their skills in a particular area or technique. They are designed as intensive confidence-building and development experiences with a high level of input and support from established artists and experienced tutors. See images from previous Glass Skills Classes here and here
AN INTRODUCTION TO LAMP WORKING
25 – 27 March. Cost: £300 (includes course fees, materials and light lunch)
Ian Pearson will lead a three day introduction to the art of lamp working (using gas/oxygen torches to blow, manipulate and join glass tube and rod). Ian has been practicing the skill known as lamp working since 1961, and is an acknowledged master of the craft bringing a mix of outstanding technical knowledge and creative flair. For many years a scientific glass blower creating highly complex laboratory equipment, Ian now uses his blend of ancient craft and modern technology to make art objects and gifts at his studio Glass Creations in Thurso. This class is suitable for all skill levels and abilities.
Click here to apply or email Grace at email@example.com or call 01593 721 229
KILN FORMED GLASS VESSELS
28 – 30 March 2014. Cost: £300 (includes course fees, materials and light lunch)
Amanda Simmons will lead a three day introduction to kiln formed glass vessels using the variables that affect slumping with gravity to create ‘drop-out’ vessel forms. Amanda’s focus is very much on colour and depth of design using cameo engraving, and how different colours can be achieved by blending transparent and opaque Bullseye Glasses. There will be presentations throughout the course of the development of Amanda’s work using this technique, challenging the use of colour and cameo engraved work. Amanda will give guideline firing schedules for all projects on the course and suggest starting points for larger projects. Some previous kiln formed glass experience is required.
Click here to apply or email Grace at firstname.lastname@example.org or call 01593 721 229
For people with an interest in creative glass techniques and little or no experience. They are designed as entry level workshops and focus on learning basic skills as a foundation for future activity.